With influences coming from both sides of the Kentucky/Virginia state line, The Lonesome Goats are a must see for any bluegrass lover. Their sound of jam grass gives them a unique sound that can only be found at bluegrass festivals. The Lonesome Goats consist of Chad Hall, James Stiltner, Zach Wiles and Charles Keeton. If you’re searching for the high lonesome sounds that have echoed through our Appalachian Mountains for decades, look no further. When the goats get loose, it’s hard to tame them.
"Originally from Boyd County, KY, Chaney has since relocated to Lexington and is sure to be the next big thing coming out of Kentucky. At only 21 years old, Chaney’s catalog may be small, but he already boasts an absolute masterpiece of an album in which he proves wise beyond his years.
Mercy, his debut album released in 2021, is a 12-song showcase of Eastern Kentucky, blue collar anthems highlighted by Chaney’s deft lyricism and storytelling. An unknown musician prior to the album’s release, Chaney has since experienced a meteoric rise in popularity and has quickly amassed a growing and dedicated fan base, already thirsty for new music."
Brothers Wesley and Aaron Smith have been performing as and leading Brother Smith since 2015.
What began as a roots driven acoustic duo has transformed into a progressive auditory ensemble to be reckoned with.
Featuring new members Trevor Caddell (saxophone) and Amberly Winfrey (vocals), Brother Smith's sound continuously evolves with inspirations that span across several genres, including: rock, funk, gospel, folk, blues, bluegrass, jazz, and country (to name a few).
Brother Smith's latest release, "Comeback Kid", showcases Wesley's songwriting abilities as well as the compositional prowess of the new full band sound, heard by Caddell's, Winfrey's, and both brothers' instrumental and vocal presences.
The latest single is a preemptive
taste of their 2022 album release scheduled for October 7th.
BROTHERS, TANNER AND PEYTON WHITT, PERFORMING AS THE ADRENALIZED AMERICAN POP-ROCK BAND RAGS AND RICHES, AIM TO BRING HOPE AND INSPIRE A GENERATION OF DREAMERS. THE LEXINGTON, KENTUCKY NATIVES RELEASED THEIR DEBUT SINGLE, SPEED OF SOUND, IN 2019 AND LIT THE SPARK FOR A WILDFIRE BREAKOUT WITH ‘SOS’ REACHING OVER 875K+ STREAMS AND 520K+ VIDEO VIEWS.
THE TWO MAN CREW HAS PERFORMED 200+ SHOWS IN 40+ STATES, CHARTED IN TOP #200 ON NACC COLLEGE RADIO CHARTS, WON 2 LEXINGTON MUSIC AWARDS FOR POP ARTIST OF THE YEAR + SONG OF THE YEAR AND IMPRESSIVELY, CLOCKED IN OVER 3MIL+ CAREER STREAMS AND OVER 1.5MIL+ VIDEO VIEWS IN JUST 3 YEARS.
THEIR DEBUT ALBUM ALWAYS GOLD RELEASED JUNE 10 2022 VIA SONABLAST! RECORDS AND IMPRESSIVELY CLOCKED IN OVER 1.4MIL+ STREAMS IN IT‘S FIRST WEEK. WITH THEIR CURRENT EXPLOSIVE SUCCESS IT’S CLEAR THESE DETERMINED BROTHERS ARE RISING TO THE TOP.
Sylvia Rose Novak has always come out swinging. This is as apparent on the opening track, “Fallout”, of her fifth studio album, A Miss/ A Masterpiece, as it is in the fact that she’s been releasing a full-length studio LP every two years since 2014. She’s been called prolific more than a handful of times but the Athens, GA bassist and songwriter simply prefers to think of herself as driven.
Met with acclaim from publications such as American Songwriter and Billboard, Novak’s aptly-named 2020 release BAD LUCK carefully bridged the gap between her former life as an Americana artist - a genre that she felt put into because the music industry and fans alike had issues boxing her into one space - and her foray into pure rock and roll. However, when it comes to A Miss/ A Masterpiece, Novak is expecting fans of her previous work to leave their preconceptions at the door and realize that the Sylvia Rose Novak they thought they knew is a Sylvia Rose Novak who never was. Novak wants to see her name in the Rock & Roll Hall of Fame, not the Country Music Hall of Fame. She closes her eyes and sees herself selling out Wembley, not the Ryman. A Miss/ A Masterpiece is deeply reflective of the person and the artist that Novak has always known herself to be.
It is high time the world meets her as she was meant to be introduced: in her favorite Black Sabbath tank top, black jeans, and a scuffed pair of well-loved motorcycle boots.
A Miss/ A Masterpiece, though recognizable in the sense that Sylvia is and always has been a poignant writer with an unshakable sense of rhyme scheme and brilliant imagery, is far different than anything she’s ever released before.
The drums hit hard and loud. The bass and guitars are down-tuned and heavy. And Novak’s voice, though clearly hers, hasn’t so much matured as it has tapped into something raw and real that’s been buried deep within her all of these years. A Miss/ A Masterpiece is also deeply personal; touching on her fears of nuclear fallout in “Fallout”, hitting hard notes about reproductive rights in “Stress Fracture”, offering a glimpse into bipolar depression with “Rage”, and penning a memoir about the time she was addicted to uppers via “The Window” - a track on which she also played violin for the first time since she put down the instrument in 2019 to focus solely on bass.
The bass was Novak’s first instrumental love. Though she’s multi-instrumental - having learned everything from Trombone to pedal steel over the last two decades, something about the bass has called to her since she was twelve years old and first heard the introductory bars to “Sweet Child O’ Mine.” Duff McKagan’s counter-melody reached out to her as if it was an old friend, a kindred rebel soul. From that moment, her relationship with the instrument has only grown and is now the bedrock for the sonic rebirth that’s so evident throughout A Miss/ A Masterpiece.